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The Turn of the Key
By Ruth Ware
Table of Contents
About The Book
INSTANT NEW YORK TIMES BESTSELLER
“A superb suspense writer…Brava, Ruth Ware. I daresay even Henry James would be impressed.” —Maureen Corrigan, author of So We Read On
“This appropriately twisty Turn of the Screw update finds the Woman in Cabin 10 author in her most menacing mode, unfurling a shocking saga of murder and deception.” —Entertainment Weekly
From the #1 New York Times bestselling author of The Lying Game and The Death of Mrs. Westaway comes this thrilling novel that explores the dark side of technology.
When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family.
What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder.
Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn’t just the constant surveillance from the home’s cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman.
It was everything.
She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder—but somebody is.
Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.
“A superb suspense writer…Brava, Ruth Ware. I daresay even Henry James would be impressed.” —Maureen Corrigan, author of So We Read On
“This appropriately twisty Turn of the Screw update finds the Woman in Cabin 10 author in her most menacing mode, unfurling a shocking saga of murder and deception.” —Entertainment Weekly
From the #1 New York Times bestselling author of The Lying Game and The Death of Mrs. Westaway comes this thrilling novel that explores the dark side of technology.
When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family.
What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder.
Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn’t just the constant surveillance from the home’s cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman.
It was everything.
She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder—but somebody is.
Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.
Reading Group Guide
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This reader’s guide for The Turn of the Key includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book
Introduction
When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nanny post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family.
What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder.
Writing to her lawyer from prison, she struggles to explain the unraveling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant.
It was everything.
She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is.
Topics and Questions for Discussion
1. The book opens with Rowan Caine’s desperate plea for help from prison. If you received this letter as Mr. Wrexham, would you keep reading? Is there anything she could say that would persuade you to represent her?
2. Rowan describes the Elincourt estate in detail when she visits for her interview. What is your first impression of the house? What aspects were appealing or unappealing to you?
3. The interview with Sandra is standard but revealing. What do we learn about Rowan as she tries to come up with the perfect answers? Would you say Rowan is trustworthy? What do you learn about Sandra during this initial interaction?
4. Maddie, the second oldest girl, has an unexpected reaction to Rowan’s departure and makes a terrifying proclamation: “Don’t come here. It’s not safe” (p. 74). After everything Rowan saw and learned in the previous twenty-four hours, should she have heeded Maddie’s warning? Would you have listened to Maddie?
5. Rowan has a very negative first impression of Bill Elincourt and their relationship only gets worse from there. Why is her initial reaction so strong? How would you handle the ensuing harassment by an employer?
6. Sandra and Bill leave Rowan on her first day with the kids and she struggles to reign them all in. Discuss the kids’ behavior and how Sandra’s constant check-ins affect Rowan’s authority in the house. Look specifically at the interactions on page 131 and 158.
7. Rowan believes she is finally building a relationship with Maddie and Ellie when they show her their secret garden. But when their malicious intent is exposed, Rowan, Maddie, and Ellie all react intensely. Describe each of their reactions and the emotions behind them.
8. After the house goes haywire in the middle of the night, Rowan is sleep-deprived, on edge, and paranoid, and she jumps to several rash conclusions. Are these thoughts reasonable possibilities or delusions based in fear? Imagine how you might respond in her situation.
9. The Elincourts’ housekeeper, Jean McKenzie, immediately dislikes Rowan, but it seems to run deeper than their negative first encounter. Why? Could Jean be the one tormenting Rowan at night, as she suspects?
10. Rowan is deeply disturbed by the girl in Maddie’s drawing. “Tears were streaming down her face, her mouth was open in a despairing wail, and there were red scribbles of blood on her face and on her dress” (p. 228). What do you think it represents? Do you think Rowan should have addressed this directly?
11. When Jack and Rowan break into the attic, it is much worse than they expected. Discuss their ensuing conversation. What answers does Rowan have now and what questions remain? How do you think the doll head came to be in Rowan’s lap?
12. Rowan’s opinion of Jack changes repeatedly in her short time at Heatherbrae. He began as her confidant, became her lead suspect, and finally seemed to earn her trust. Do you think he is trustworthy? Why or why not?
13. We finally learn who Rachel Gerhardt is and of her personal connection to the family. Were there any clues that led you to suspect this before the big reveal? Do you believe Rachel’s version of events as she explains them to Mr. Wrexham?
14. In the last chapter, the truth of what happened to Maddie is finally revealed. How does Ellie’s letter align with Rachel’s retelling of that night? What, if any, questions remain?
Enhance Your Book Club
1. The entire book is written as a letter to a defense attorney from prison. Discuss how this adds to or detracts from the story. How did you feel knowing a child would die from the beginning? Did it ruin the element of surprise or elevate the feeling of suspense?
2. We see Rachel in many high-pressure, stressful situations during her time at Heatherbrae House. How would you have described her character before learning the truth about her father? Did learning the truth change what you thought of her? Discuss.
3. Discuss Heatherbrae House and its many “amenities”. What it would be like to live in a house dependent on technology? Could you live there?
4. The story jumps from 2017 to 2019, when the letters to Mr. Wrexham and those from Jean McKenzie and Ellie are discovered. The man who found them reveals two important details. First, that Rachel never sent her pleas for help and second, that the truth they reveal no longer matters. Discuss why the letters never posted and what happened to Rachel in those two years.
Introduction
When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nanny post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family.
What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder.
Writing to her lawyer from prison, she struggles to explain the unraveling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant.
It was everything.
She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is.
Topics and Questions for Discussion
1. The book opens with Rowan Caine’s desperate plea for help from prison. If you received this letter as Mr. Wrexham, would you keep reading? Is there anything she could say that would persuade you to represent her?
2. Rowan describes the Elincourt estate in detail when she visits for her interview. What is your first impression of the house? What aspects were appealing or unappealing to you?
3. The interview with Sandra is standard but revealing. What do we learn about Rowan as she tries to come up with the perfect answers? Would you say Rowan is trustworthy? What do you learn about Sandra during this initial interaction?
4. Maddie, the second oldest girl, has an unexpected reaction to Rowan’s departure and makes a terrifying proclamation: “Don’t come here. It’s not safe” (p. 74). After everything Rowan saw and learned in the previous twenty-four hours, should she have heeded Maddie’s warning? Would you have listened to Maddie?
5. Rowan has a very negative first impression of Bill Elincourt and their relationship only gets worse from there. Why is her initial reaction so strong? How would you handle the ensuing harassment by an employer?
6. Sandra and Bill leave Rowan on her first day with the kids and she struggles to reign them all in. Discuss the kids’ behavior and how Sandra’s constant check-ins affect Rowan’s authority in the house. Look specifically at the interactions on page 131 and 158.
7. Rowan believes she is finally building a relationship with Maddie and Ellie when they show her their secret garden. But when their malicious intent is exposed, Rowan, Maddie, and Ellie all react intensely. Describe each of their reactions and the emotions behind them.
8. After the house goes haywire in the middle of the night, Rowan is sleep-deprived, on edge, and paranoid, and she jumps to several rash conclusions. Are these thoughts reasonable possibilities or delusions based in fear? Imagine how you might respond in her situation.
9. The Elincourts’ housekeeper, Jean McKenzie, immediately dislikes Rowan, but it seems to run deeper than their negative first encounter. Why? Could Jean be the one tormenting Rowan at night, as she suspects?
10. Rowan is deeply disturbed by the girl in Maddie’s drawing. “Tears were streaming down her face, her mouth was open in a despairing wail, and there were red scribbles of blood on her face and on her dress” (p. 228). What do you think it represents? Do you think Rowan should have addressed this directly?
11. When Jack and Rowan break into the attic, it is much worse than they expected. Discuss their ensuing conversation. What answers does Rowan have now and what questions remain? How do you think the doll head came to be in Rowan’s lap?
12. Rowan’s opinion of Jack changes repeatedly in her short time at Heatherbrae. He began as her confidant, became her lead suspect, and finally seemed to earn her trust. Do you think he is trustworthy? Why or why not?
13. We finally learn who Rachel Gerhardt is and of her personal connection to the family. Were there any clues that led you to suspect this before the big reveal? Do you believe Rachel’s version of events as she explains them to Mr. Wrexham?
14. In the last chapter, the truth of what happened to Maddie is finally revealed. How does Ellie’s letter align with Rachel’s retelling of that night? What, if any, questions remain?
Enhance Your Book Club
1. The entire book is written as a letter to a defense attorney from prison. Discuss how this adds to or detracts from the story. How did you feel knowing a child would die from the beginning? Did it ruin the element of surprise or elevate the feeling of suspense?
2. We see Rachel in many high-pressure, stressful situations during her time at Heatherbrae House. How would you have described her character before learning the truth about her father? Did learning the truth change what you thought of her? Discuss.
3. Discuss Heatherbrae House and its many “amenities”. What it would be like to live in a house dependent on technology? Could you live there?
4. The story jumps from 2017 to 2019, when the letters to Mr. Wrexham and those from Jean McKenzie and Ellie are discovered. The man who found them reveals two important details. First, that Rachel never sent her pleas for help and second, that the truth they reveal no longer matters. Discuss why the letters never posted and what happened to Rachel in those two years.
About The Author
© Gemma Day Photography
Ruth Ware worked as a waitress, a bookseller, a teacher of English as a foreign language, and a press officer before settling down as a full-time writer. She now lives with her family in Sussex, on the south coast of England. She is the #1 New York Times and Globe and Mail (Toronto) bestselling author of In a Dark, Dark Wood; The Woman in Cabin 10; The Lying Game; The Death of Mrs. Westaway; The Turn of the Key; One by One; The It Girl; and Zero Days. Visit her at RuthWare.com or follow her on Twitter @RuthWareWriter.
Product Details
- Publisher: Gallery/Scout Press (May 12, 2020)
- Length: 384 pages
- ISBN13: 9781501188787
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Raves and Reviews
"A superb suspense writer… Ware is a master at signaling the presence of evil at the most mundane moments… Rowan stays put for reasons we won’t understand until the final act of this tragedy. And that’s when Ware’s gifts for structuring an ingenious suspense narrative really come to the fore… Ware pulls out a stunner on the penultimate page that radically alters how we interpret everything that’s come before. Brava, Ruth Ware. I daresay even Henry James would be impressed."
—Fresh Air's Maureen Corrigan for The Washington Post
"Let’s just say that if you’ve got an Echo, you’re going to unplug it as soon as you finish the book… What Ware does beautifully is infuse The Turn of the Key with a creepy Gothic sensibility. For all of the novel’s contemporary touches—particularly the house’s malevolent smart technology—she has delivered an old-fashioned horror story, peopled by children with ‘eyes full of malice,’ a dour housekeeper straight out of Rebecca and an inscrutable handyman."
—The New York Times Book Review
"Ruth Ware—one of our favorite thriller writers—is bringing down the house… Read it for a fast-paced ride."
—theSkimm
“This appropriately twisty Turn of the Screw update finds the Woman in Cabin 10 author in her most menacing mode, unfurling a shocking saga of murder and deception.”
—Entertainment Weekly
"A clever and elegant update to James's story… Surveillance and home technology slot easily into the conventions of horror: They bring the sense that your environment is invaded and controlled from afar, and that you are never quite as alone as you might wish… The Turn of the Key, and novels like it, point to a new reality. We are all, constantly, haunted."
—NPR
"Henry James via Black Mirror… While the ambiguity in James’s masterpiece is 'ghosts or madness?,' here it is 'ghosts or glitch?' Unlike The Turn of the Screw, however, Ware picks a lane, deploying a satisfyingly dizzying parade of twists and reveals without leaving much unexplained."
—Los Angeles Review of Books (LARB)
"Diabolically clever. Twisty and creepy, The Turn of the Key is Ruth Ware's best book yet. Read with a blanket nearby, because you will get shivers up your spine."
—Riley Sager, New York Times bestselling author of The Last Time I Lied
"A ghost story for the twenty-first century, a propulsive gothic thriller with characters you’ll really care about. With this book, Ruth Ware proves she’s the true heir to Wilkie Collins. Creepy, engrossing, and oh-so-hard to put down."
—JP Delaney, New York Times bestselling author of The Girl Before
"Pure suspense, from the first gripping page to the last shocking twist."
—Erin Kelly, bestselling author of He Said/She Said
"Ruth Ware has been called the Agatha Christie of our generation… The Turn of the Key is a great read. You’re going to enjoy it very much."
—#1 New York Times bestselling author David Baldacci for his “Hot Beach Reads: Guilty Pleasures, Popular Books” pick as part of the Today Show’s “Best Summer Reads of 2019, according to Top Authors” segment
"If you've never spent a long weekend devouring a Ruth Ware thriller on a hammock, this is the summer to start. Her fifth novel, The Turn of the Key, is set in the Scottish Highlands and is as compulsively readable as you would expect a Ware book to be."
—CBS WATCH! MAGAZINE
"Chilling."
—Minneapolis Star Tribune
“We hope it’s not too much to say that Ruth Ware is the future of traditional mystery in contemporary settings; each of her novels takes us into well-worn territory and reinvents for the present day. Her upcoming mystery is no exception.”
—CrimeReads
"Readers, you’ll want to sleep with the lights on (and your Alexa off) after reading this spooky tale from Ruth Ware."
—Bookish
“The No. 1 New York Times bestselling author of The Woman in Cabin 10 returns this summer with a new novel fans of the thriller genre will love."
—WorkingMother.com
"All of Ruth Ware’s books have been creepy and deeply mysterious, in other words…awesome! But I think this might be her best one yet."
—Get Literary
"The Turn of the Key is a brilliantly crafted, chilling suspense thriller. Clues are seeded through the tale like poisonous plants that you only recognise when it's far too late. Trust no one in this novel except Ruth Ware – she has come up with a totally compelling tale once again."
—Jane Casey, award-winning author of The Burning
"Superb as expected... Lovely echoes of Turn of the Screw in a contemporary thriller. A masterclass in tension."
—Sarah Pinborough, New York Times bestselling author of Behind Her Eyes
"Ware’s mastery of the traditional mystery merged with the twisty psychological thriller never fails to impress! While Ware is known for her sudden reversals, I promise you that you’ll never see the end of The Turn of the Key coming. Which means everyone needs to read it so we can talk about that ending."
—LitHub
"A classically spooky thriller involving a potentially murderous nanny and a smart house gone wrong in the Scottish Highlands. Ruth Ware is a No. 1 New York Times bestselling author, and her fans are legion and loyal."
—Vox
"A tale full of mystery and suspense that no one other than Ware can weave, The Turn of the Key will keep you on the edge of your seat."
—Grand Island Independent
"Ruth Ware is the master of writing terrifying novels that readers can’t get enough of. From The Woman in Cabin 10 to The Lying Game and a plethora of other smash hits, she knows what it takes to write a truly captivating book."
—She Reads
“Truly terrifying! Ware perfects her ability to craft atmosphere and sustain tension with each novel.”
—Kirkus Reviews
"In Ware’s latest book, The Turn of the Key, she delivers a novel full of twisted tension that will have readers looking at technology a little bit differently... It solidifies her spot among the greats."
—Bustle
"Are you attached to your Alexa? Do you control various aspects of your home from your smartphone? Prepare to be creeped out. Ruth Ware’s latest thriller, The Turn of the Key, tells the story of a nanny in a smart home that turns downright harrowing."
—Bookish
"Breathlessly atmospheric, The Turn of the Key is a deliciously creepy mystery… Ware's twist on a classic is sure to be a hit for fans of psychological thrillers."
—Shelf Awareness
"Ruth Ware’s homage to The Turn of the Screw is filled with all of the best gothic elements: an unreliable narrator, an isolated setting, creepy children and a house that functions as its own menacing character. Part epistolary novel, part psychological thriller, The Turn of the Key is compulsively readable and will keep readers guessing until the very last page… Ware is adept at managing multiple plot threads and using them to shock her reader. The beauty of The Turn of the Key is in how it takes the tropes central to the gothic genre, like the isolated haunted house, and gives them a 21st-century spin while still managing to feel fresh and surprising to even the most gothic-averse reader. Straddling the line between horror and thriller, this novel will delight fans of both genres."
—Bookpage
"Thriller lovers, fasten your seat belts… Read The Turn of the Key today and hold on through the twists. You’ll find yourself racing to the end to see what—and who—you can really believe."
—PureWow
"Ware cleverly puts a high-tech spin on [The Turn of the Screw’s] gothic foundations of spellbinding menace set in a remote cavernous mansion with mysterious locked doors and a spooky garden… Ware’s James-like embroidery of the strange and sinister produces a Turn of the Screw with cellphones and Teslas that will enthrall today’s readers… it will not disappoint."
—Booklist, starred review
“Ware does a good job of creating tension... But above all, Ware skillfully lays the bread crumbs to the novel’s satisfying conclusion… [that] leaves readers with one final, haunting question, one that will stay with them long after they turn the last page.”
–Publishers Weekly, starred review
"A Daphne du Maurier-like Gothic thriller set in the remote Scottish highlands but with a modern technology twist. Ware specializes in menacing spellbinders with narrators who may or may not be reliable… She has done a first-rate job of manufacturing and maintaining tension until the final page."
—Columbus Dispatch
"Twisty and surprising, as entertaining as it is heartrending, The Turn of the Key is a book you will not want to put down."
—Bookreporter.com
"If you’re looking for a compelling audiobook to join you at the beach this summer, bring your earbuds and give Ruth Ware’s new psychological thriller, The Turn of the Key, a listen."
—BookRiot
"One of British author Ruth Ware’s many strengths is her ability to create a disorienting environment that at first dazzles with its ingenuity and luxury—like the cruise ship in her 2016 book, The Woman in Cabin 10—then turns nightmarish. In The Turn of the Key, that place is Heatherbrae House in the Scottish Highlands… The book’s roots may reach back to James, and still further to the Brontë sisters, but it feels as up-to-the minute as the Happy app. The result is an irresistibly readable and scary homage."
—Air Mail
"Ware hits another one out of the park. Fans of hers or anyone with a taste for the disturbing will stay up late devouring this."
—Library Journal, starred review
"Ruth Ware is good at writing creepy tales and this novel about a nanny moving into an apparently haunted smart house takes a gothic trope and modernizes it. Even better is an ending that you won’t see coming and that reframes everything you’ve just heard… A lot of fun on a crisp autumn evening."
—Christian Science Monitor
"Ware at her eerie best."
—NEWSWEEK
“The cast of characters includes an unsuspecting nanny, a creepy housekeeper, and a hunky groundskeeper amid the mists and heather, crumbling stone walls and creaky attics. What more could you ask for?”
—Reader's Digest, "Best Books of 2019"
“A superb suspense writer… Ware is a master at signaling the presence of evil at the most mundane moments… Rowan stays put for reasons we won’t understand until the final act of this tragedy. And that’s when Ware’s gifts for structuring an ingenious suspense narrative really come to the fore… Ware pulls out a stunner on the penultimate page that radically alters how we interpret everything that’s come before. Brava, Ruth Ware. I daresay even Henry James would be impressed.”
—Washington Post Book World
“The suspense makes it impossible to put this book down. I would wager that no reader will be able to figure out the ending that’s revealed in the final pages… Ware has written the type of book that fans of psychological, mystery and suspense fiction will treasure.” —Missourian
"Stunning... THE TURN OF THE KEY had us at the turn of the first page."
—myTalk with Lori and Julia
"Ware slyly sets her tale of the haunting of a governess and her difficult young charges in an old mansion that's been renovated into a ‘smart house,’ complete with a sinister assortment of blinking surveillance cameras and talking refrigerators… Ware is a master of atmosphere and, here, the off-kilter weirdness of the old house itself seeps into every crack of this story… ‘Get out of there!’ we jumpy readers find ourselves urging, but Rowan stays put for reasons we won't understand until the final breathless twist of this thriller.”
—Fresh Air
"Gothic inspiration meets modern technology; a summer 2019 must-read"
—Crime by the Book
“the definition of ‘unputdownable’… [and] a terrifically clever reimagining of The Turn of the Screw”
—Refinery29
“Compulsively readable from the very start… The Turn of the Key is full of dizzying plot twists and revelations, but one thing is very clear: in Ware’s version, we are the ghosts. What human beings are capable of, including what we can accomplish with our technology, has the capacity to turn us into monsters.”
—BookBub
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